Blink-182 Lives On

Let's start with what we know for sure first.

Mark Hoppus and Travis Barker announced earlier today that Tom DeLonge "indefinitely" left the band and Matt Skiba of Alkaline Trio will replace him for an upcoming show at the Misink Festival in March. Twitter erupted in chaos. It was 2004 all over again. Theories of a breakup and angry questions thrown at DeLonge were everywhere. Just a couple of short hours later, DeLonge posted an update on Instagram that read:

To all the fans, I never quit the band. I actually was on a phone call

about a blink 182 event for New York City at the time all these weird

press releases started coming in... Apparently those releases were 

'sanctioned' from the band. Are we dysfunctional - yes. But, Christ.....

#Awkward #BabyBackRibs

About two hours ago, Rolling Stone released a new interview with Hoppus and Barker clearing up all the rumors. Hoppus even tweeted a link to the interview saying "This is the real deal." In summary, Hoppus and Barker explain that Blink-182 have been trying for the last two years to get in the recording studio to work on a new album. On Christmas Eve, the three of them signed a new record deal. Things were looking up for the band until over time Delonge distanced himself.

There's a flurry of e-mails going back and forth for clarification about

the recording and the show and [DeLonge's] manager sends [an e-mail]

back saying, "Tom. Is. Out." Direct quote. This is the exact same e-mail we

got back in 2004 when Tom went on indefinite hiatus before. -Hoppus

The fans could see that the band wasn't doing that great. We've been hanging around since December 2012 (September 2011 since their last full album) for a taste of something new, but we've been left with nothing. It's not that the band left without saying goodbye. It was obvious to see who was and wasn't dedicated to the band just by looking at the time they saved to go to a studio or what they posted on social media. 

It's hard to cover for someone who's disrespectful and ungrateful.

You don't even have the balls to call your bandmates and tell them

you're not going to record or do anything Blink-related. You have

your manager do it.... Why Blink even got back together in the first 

place [after the first hiatus] is questionable. -Barker

Everyone knows that when Travis speaks up, things are serious. When I first heard all of this news, I couldn't see how Blink-182 could continue. That was before I realized just how committed Hoppus and Barker are to keep the Blink legacy going. If they are this willing to keep going, keep recording, keep playing, then there is no way in hell that I could ever stop supporting this band. Blink-182 means more to me in more ways than I can even explain. There has never been nor will there ever be a band that could be compared to Blink. They began my love for music which I will someday combine with journalism to make a career. I don't know who I would've become or where I would be today if my dad hadn't started playing "What's My Age Again?" or "All the Small Things" during car rides. That may sound dramatic, but we all have that something that means so much to us that we just can't find the right words to explain how it makes us feel. 

I just want to go out and play Blink songs. I want to go out

and play the songs that we've been spending the last 20 years

of our lives writing. That's what Travis and I want to do. -Hoppus

Reading that Rolling Stone article brought up so many mixed feelings. I'm overcome with pride towards Hoppus and Barker that they have finally decided to say something about the matter and directly confront DeLonge in a way that he can't ignore. Also, the fact that they want to continue doing Blink. There are no words to describe how much that means to a fan. We all saw an ending coming, but (for me at least) this has the chance to become a happy ending. Blink-182 is not over. On the other hand, I am overwhelming disappointed in DeLonge. I understand that he has other projects that he may be more committed to, but he could have at least had the decency to directly tell not just his bandmates, but his friends, what the situation was. Mark and Tom have known each other since high school. I don't know any of them personally and I may just be a fan, but I am pretty confident that Mark and Travis deserved better than this. There was no need for his manager to speak for him. Then he posts on Instagram talking about how everything is fine when that entire statement was just one huge lie. Even in the Alternative Press magazine, only Tom was quoted and he directly said that Blink-182 were going to get an album out this year. He just failed to mention that Blink did not include him anymore. 

I just wish Tom does whatever makes him happy and stops

holding back Blink-182 from what we all agree that we're going

to do: play shows, record music, continue this legacy and have

a good time doing it. -Hoppus

To Mark and Travis: I will never stop being a fan of Blink-182 and I could never stop supporting you guys. I wish you and Matt Skiba the best of luck at Musink and I hope I get the chance to get tickets and see you guys. 'Thank you' isn't enough to express how grateful I am that Blink-182 is not dead. Let's continue the legacy.

Long Live Blink, 

Nikole xx

(*I understand that there is Tom's side of the story. Even on Twitter and Instagram, a lot of people have been picking 'sides.' After this Rolling Stone release, I felt I understood more of the situation and it explained a lot of questions I had about the band during the last two years. As far as I know, Tom hasn't released any official statement other than his Instagram post. 

**All of the quotes I used besides Tom's came from the Rolling Stone article which can be found at http://www.rollingstone.com/music/news/blink-182s-hoppus-barker-blast-ungrateful-disingenuous-tom-delonge-20150126 )

Sunday's 7 Songs (Week 1)

I'm going to try something new for my little blog that will hopefully get me to write more. Each Sunday, I'll list the top 7 songs that I've been listening to for the past week. (Hopefully, I'll think of a better name for this weekly thing later.) It will probably be a mixture of songs I've had on repeat and new songs I discovered this week. I might change this idea or edit it as I go, but I really wanted to have something that encourages me to regularly update (kind of how youtubers are known to post a new video a certain day of the week). Anyways, here are the 7 songs.


1) Something's Gotta Give by All Time Low

All Time Low released their first single for their new album "Future Hearts" about two weeks ago and I have had it on repeat ever since. It's absolutely amazing. Everything from the lyrics (which are a mixture of motivated and sadness) to the energy produced from the instruments. It's one of those songs that you play in your car or in the shower and you can't help but scream the lyrics. If this is any indicator to how the rest of the album will sound, then I know I won't be disappointed. Their music video has an interesting plot twist, but besides that, it is just as great.

2) Favorite Record by Fall Out Boy

Last Tuesday, Fall Out Boy released their new album "American Beauty/American Psycho." I considered dedicating a post completely to that album, but for some reason I've put it off. I'll admit that I understand why they used the songs they did to promote the album because they were honestly the better half of the album. That doesn't mean the other half was bad. I've had the album on repeat all week, so I can promise the album isn't bad. Out of the new songs released on Tuesday, I've listened to the "Favorite Record" the most. As soon as you press play, the intro beat has your attention. I don't think you can get any sweeter than by comparing someone you love to the song that's been stuck in your head, to every song you've ever loved.

3) Go Go Go by Sleeping With Sirens

A few days ago, Sleeping With Sirens announced the release date of their new album "Madness" and the pre-order came with their single "Kick Me" as well as a new song, "Go Go Go." This song reminds me of early SWS which makes me really happy. The vocals are clear and it's just a fun, upbeat song. Even the music video is filled with the same humor that could be seen in their other videos. The band doesn't sound like they are trying to be something they aren't. I wasn't as thrilled with "Kick Me" as I am with this song. This song has gotten me even more excited for the rest of the album (which comes out on March 17).

4) Up 2 U by Walk the Moon

It's the vocals in this song that really catch my attention. The way Nicholas Petricca (the vocalist) starts the chorus with a little scream It's up to you! has me pumped. I've been happy with the entire "Talking is Hard" album. This song and "Sidekick" really stand out to me, though. There isn't any song on this album (and previous albums that I know of) that sounds anything like this song. I love when artist's throw songs like that in an album. It can either end up being a good or bad thing because sometimes listeners don't want change but it really comes down to what the artist wants to produce and I'm extremely glad Walk the Moon decided to include that song.

5) Shirtsleeves by Ed Sheeran

I listened to a lot of Ed Sheeran today because I was in the study zone and I had a good amount of homework to get done. I'm not sure if there is a particular reason why I play this song (and "Photograph") more than others, but I do. This song, like a lot of his other songs, is really mellow and relaxing. It's a really sweet song, as well.

6) I Write Sins Not Tragedies by Panic! at the Disco

I blame my sister for this one. I'm not too sure why she's had this song on repeat, but since she has, it's been stuck in my head all week. It's one of those songs where I think everyone knows despite whether they realize who the band is or what the song is called. This song is only a sneak peek to how talented this band really is. In my last post I mentioned that P!ATD have an album in the works and they haven't released any information on it yet, but I'm still hopeful.

7) So Much Better by Eminem

I can't even explain why I've had this on repeat. Over winter break, Kaitz and I played Eminem on repeat for hours and I haven't listened to him as much these past couple of weeks, but there are still some songs I can listen to over and over. Listening to it makes me really miss winter break though.

---------

I realized that this list is really good to show all the different kinds of music I listen to. I laughed just looking at how I can skip from Fall Out Boy to Ed Sheeran to Eminem. The more I wrote this post, the more I liked the idea about Sunday's 7 Songs. The reason I started writing tonight was because 1) I haven't blogged in two week and I miss it a lot and 2) I was trying to finish up my story for the next issue of the magazine and I cannot word it the way I want to. I thought it was kind of like a writer's block thing, but I seemed to write this pretty easily even if it took awhile for me to come up with an idea on what to write. I'll give another shot at the story tomorrow. I'm really close to finishing it, but for some reason I can't find the right words or phrasing.

Anyways, if anyone has any songs they would like to suggest for me to listen to, I would be more than happy to check them out. I love finding new music or rediscovering old music.

Until next time,

Nikole xx

The Most Anticipated Music of 2015

I got the idea for this post from Alternative Press magazine. Some of the anticipated music I'll be listing is also included in Alt Press's article, but I'm adding my own expectations. 2015 already sounds like it is going to be an incredible year for music and I doubt we barely know even half of the expected music to be released this year.

FALL OUT BOY
American Beauty / American Psycho 
January 20

Little by little, Fall Out Boy have been releasing songs from their album. "Centuries" has been by far the most popular since the song is played everywhere from ESPN to pop radio stations. They have also released "American Beauty / American Psycho," "The Kids Aren't Alright," "Immortals" (featured in Disney's Big Hero 6), "Irresistible" and "Uma Thurman." The songs are extremely promising and set some high expectations for the rest of the album. I've been looking forward to how the band would follow their last album, Save Rock and Roll, since it was such a large success. They've taken a few aspects from that album such as the story-telling technique. Based on their newest music video and comments from the band, the album focuses on an unhealthy love between the "American Beauty," Nancy, and the "American Psycho," Sid. Only a little over a week left until we find out the rest of Sid and Nancy's story.

SLEEPING WITH SIRENS
February

Three months ago, Sleeping With Sirens released their single, "Kick Me." This was the first sound of new music since the release of their last album, Feel (June 2013). The single was followed by another single called "We Like It Loud," which has some more rock vibes than their previous songs. The band decided to end their ties to their previous label, Rise Records, and instead sign with Epitaph in order to work more independently as a band. John Feldmann has also been helping in producing the album. The band is currently on their world tour alongside Pierce the Veil.

IMAGINE DRAGONS
Smoke and Mirrors 
February 17

Imagine Dragons were deemed by Billboard as "2012's Brightest New Stars" and "The Breakout Band of 2013." They also added three more Billboard awards to that list in 2014. Their last studio album was released in September of 2012 which was followed by a live album in April 2013. The band mentioned to Rolling Stone that the new album is mainly rock-driven with more hip-hop influences than their previous work.

THE MAINE
American Candy
Spring

This is one of the most anticipated albums of the year for me personally. I've grown to love this band more and more over the last couple of years and I even joined my first street team to help promote the band. Earlier this week, the band came out of hiding from the recording studio they were living at in Joshua Tree, California. They shut themselves off from the internet and dedicated themselves to the music. There hasn't been any released singles as of now, but they did release information about their new tour (which I have tickets to!). They've mentioned how they brought back some of their early pop sounds and tried to make the album not as serious as Forever Halloween was. The band sounds like they are about to jump out of their skin, they are so excited to release something new.

ALL TIME LOW
Future Hearts
Spring

I'm on the edge of my seat waiting for this album and the new single that premieres TONIGHT. The last time we heard new music was in September of 2013 when the band re-released their October 2012 album as Don't Panic: It's Longer Now! which included some bonus songs. Just two days ago, All Time Low announced on BBC radio the album title and artwork. They were featured on the cover of Alt Press magazine as the most anticipated album of the year and the article by Evan Lucy is absolutely amazing and I recommend everyone to read it. They produced the album with John Feldmann. The band collaborated with Mark Hoppus of Blink-182, Kool Kojak and Benji and Joel Madden of Good Charlotte. I can't think of a better way to describe the band's goals for the album other than how Lucy says it.
"If anything [All Time Low's] goal was simple: harness the parts of their sound that make the band great, amplify them and expand the sonic palette without losing sight of their roots." -Evan Lucy, AltPress

PIERCE THE VEIL 
Spring

Pierce the Veil have been working hard and long on their upcoming album and the only thing coming in the way of them putting on the final details and releasing it is the fact that they are constantly busy on tour. For months now they have been touring next to Sleeping with Sirens and they won't finish until early this summer. The band claims that touring and recording has actually been really helpful because they find a lot of their inspiration for new music while they are on stage and on the road. They plan to design their album based on their performance on stage, including some loud and exciting songs, but not forgetting about the softer places.

TWENTY ONE PILOTS 
Summer

There hasn't been much talk about a new 21P album, but the duo admits that it is definitely in the works and they are very worried about it. It's been quite awhile - two years -  since the guys last released new material. Tyler Joseph mentioned in AltPress that he was scouting in LA for someone to help produce an album. He described that the trouble was finding someone who didn't want to "polish" their sound. I love that the duo are staying close to their roots and not letting anyone change who they are. In the AltPress issue that they were on the cover of, they sounded like they had huge plans for 21P. Despite their confessions of being nervous, I'm looking forward to what they decide to release.

PANIC! AT THE DISCO
Summer

I hadn't heard anything about new P!ATD music until I read the AltPress article. There was an interview in September of last year where Brendon Urie stated that he wasn't sure if the fifth studio album would be a P!ATD album or a solo album, but according to his comment in the latest issue of AltPress, he is calling it a P!ATD album. The band is currently cut down to only two people - vocalist/guitarist Urie and bassist Dallon Weekes - so Urie kind of steals the show whether the music is released as a band or solo. Either way, I'm psyched (despite having to see some really talented guys enter and leave the band). I was impressed with the last album, Too Weird to Live, Too Rare to Die!, which was released about a year and a half ago, so I'm looking forward to see what else P!ATD has for fans.

MAYDAY PARADE 
Fall

Mayday Parade have announced that they are planning to experiment with their fifth full-length album. Their goal is to try to bring the raw human element that is seen on stage into the recording studio and onto the album. Their last album was released in the fall of 2013 and featured the pop-rock sounds that they are normally associated with. The band was traveling on their The Honeymoon Tour during the last few months of 2014 and have some international shows set for this year's spring and summer. I'm crossing my fingers to see them again at Warped Tour this year.

BLINK-182
Late Fall

A new Blink-182 album sounds like a myth nowadays. Their sixth
studio album was released in September 2011 and was followed by the Dogs Eating Dogs EP in December 2012. It's not like they've been sitting around doing nothing. Tom Delonge released an album with his band Angels and Airwaves in December 2014. Mark Hoppus and Travis Barker have been busy with their families and their own side projects. Even though whatever they release won't sound like the Blink most of us fell in love with in the late 90s/early 2000s, a new album is still a new album and it will show the band's growth and how they've changed. Delonge commented that the recording process for the new album will begin early this year and will have a lot of similarities with their self-titled album which was released in 2003. Delonge also mentioned in the AltPress issue that they are currently trying to find the perfect producer for the album. (I want to know why they don't produce it themselves since they all have experience in producing. Maybe they can't agree or something. Or hire John Feldmann because I've become a fan of his but his ideas may not reflect Blink's new sound...) I saw a rumor that they could be touring with Fall Out Boy and Cobra Starship this year, but it's unconfirmed (just think of how amazing that would be though).


**GREEN DAY

"I'm in a hardware store in queens. and this
is on my mind. #greenday15 #thefutureisnow
#greendayforever" -Billie Joe Armstrong on instagram

I have no information on a new Green Day album other than Billie Joe Armstrong saying on instagram that the band has big plans for this year. They released ¡Uno!, ¡Dos!, and ¡Tré!  in September, November and December of 2012 and that was the last time they released anything new. A lot of events have been happening in their personal lives such as Mike Dirnt's wife developing (and beating!) cancer and the band's guitarist Jason White being diagnosed with tonsil cancer (which is said to be treatable). I hope after everyone is healthy again that they will be back in the recording studio soon and maybe even start touring again.



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As you can see, there is so much great music coming out this year. Think about all of the bands who haven't released information about new music or the artists that we may not even know yet. This year is going to be huge. Along with the music, I'm going to be graduating this year!? Actually, it's just four short months away. Then I move into a dorm at ASU and start my journalism major. Last week I interviewed a local band for the first time and while I noticed I have a lot to improve on in my interview skills, I had a lot of fun with the whole thing. On Monday I begin working at my first job at a local community college bookstore. It may not sound like much, but I am so excited to start. The closest I've come to a job is babysitting and tutoring.

I know it's been awhile since I last blogged but I promise to be more dedicated to this site. I've grown to like it a lot. I'm regretting not committing to this earlier. I love getting all my thoughts down on artists, albums, concerts and whatever else.

Anyways, I'm going to list the upcoming concerts I have coming up:

-Run 2 Cover (along with Jonny Craig, Kyle Lucas, Captain Midnite, Down with Webster, and So Loud) (January 17)
-Pot of Gold festival (March 13, 14, 15, 17)
-The Maine (April 3)
-Warped Tour (June 23, not sure if I'm going yet)
-APMAs (hopefully!!!!!!!!!!!) (July 22)

That's all of them for now. Well, I hope everyone's new year is starting off great and I will blog soooon.


Until next time,

Nikole xx

Legendary // The Summer Set

Two weeks ago, The Summer Set re-released their latest studio album, "Legendary," with some extra b-sides and an alternate version of "Lightning in a Bottle." The first release was debuted on April 13, 2013. Forming in 2007, The Summer Set is an Arizona-native band that features frontman and vocalist Brian Dales, Jess Bowen on drums, John Gomez on piano and guitar, Stephen Gomez on bass, and Joshua Montgomery on guitar. They're a pop band with extremely catchy beats that makes you want to dance and sign along. Starting in September of this year, they announced that they are working on a fourth studio album. I had the pleasure of seeing them during Warped Tour this year and that was the first time I really got into their music. I listened to the album Legendary a few times after that and didn't press play again until this week. I don't think I fully appreciated the album when I first heard it - or maybe it just means more to me right now. Now I can't get the words that make up this great album out of my head.

~

This is the intro to the first song of the album, "Maybe Tonight." I can't recall any memorable album intros that begin like this. I love it. To be honest, this may be my favorite part of the album - or at least one of them. This intro isn't sung, either, it's said. The introduction automatically draws you in. This album is far from some formulaic, autotuned pop album made from greedy "artists." It has a message and the band wants this message told. 

Cause there's gotta be something out there

If I fly high enough I'll find it somewhere

So I'll hold my breath till I float away

Maybe I'll come down someday

(Someday)

One of the slower songs on the album, but it caught my attention. It's hopeful. I won't argue that some of the themes on this album - break ups, make ups, never giving up - is a bit cliche, but that doesn't stop it from being a great song. I really like this song because "it" is never specified. "It" can be whatever you want it to be. Based on the context of the other songs, "it" can be love. Or maybe "it" is adventure, a new opportunity. Maybe "it" means breaking out of an everyday routine so you float away until you find something new to discover. It's really up to the listener to decide what "it" is.

We caffeinate our blood, talk religion and our families

Graduate then separate, throw our caps in the air

(Rescue)

I'll admit it, this songs makes me emotional. It's not that I loved high school - I actually can't wait to get away. But that doesn't erase the fact that in five short months I'm going to be graduating, enjoying my last summer at home, move into my dorm in a city, and begin college. It's a little overwhelming writing that all out, but I'm excited. "Rescue" is more about being there for a friend than the line I pulled from the song. I actually wish this song got more credit because it can be an anthem for any best friends. When you need me I'll be there, a friend in the eye of the storm. 

When I was a kid, I'd fly around and Peter would mention

Don't be afraid to die, 'cause to die would be an awful big adventure

(Legendary)

THIS IS LEGEN - wait for it - DARY. LEGENDARY. Okay, when the chorus is filled with references to "How I Met Your Mother," how can this not be my favorite song from the album? I feel like this song can be taken in a few different ways. Whenever anything mentions Peter Pan, you know there is an element of refusing to grow up. I just need to accept, friends grow up and lovers will lie. Like many of the problems in HIMYM, the song is also about wanting to find your "yellow umbrella" (in other words, finding that special person you eventually want to settle down with). The term 'settle down with' might be a bit strong, but Ted did settle down with his yellow umbrella so... This song can also be simple - everyone wants to be legendary. It's not until the last chorus when he sings, we all wanna be legendary to somebody, that makes you rethink it isn't that simple.  

I wanna fall in love for once

I want to find my place

This big city life ain't the fairy tales I'm told

(One Night)

This is the first bonus song from the deluxe version of the album and it takes quite a turn from the rest of the album. Despite the cheery sounds of the instruments, the lyrics are sad. I know sad is a terrible descriptive word, but I can't think of another word. The lyrics talk about how it only takes one night to mess everything up, yet it also only takes one night to fix things. Then the chorus switches to the scene of friends in the back burning holes in their heads, saying 'This is the good life, wish we were dead." It's ironic, isn't it? If life is good, then why would you wish you were dead? The song suggests that there is more to it than just that. The lyric I quoted above is from the second verse, and the vocals seem to pick up a bit, suggesting some hope. In a way, I can see what it's trying to say. The band went from living in Scottsdale, Arizona to spending most of the time in Los Angeles. Of course the 'big city life' is often overemphasized and many people seem to bite off more than they can chew. Despite the new challenges, it's one foot in front of the other. One night to fix it all.

~

This album proved harder to break down than I thought. It's one thing to listen to the lyrics and try to understand them, and it's a whole other thing to read the lyrics like a poem (something I try to do when I want to figure out what it's trying to say). I feel like I just over-analyzed a great album, but I was dying to blog about something and this album has been on repeat for the last few days. Anyways, after months passed and I picked this album back up along with its new b-sides, I gained a new respect for the album.

It's not all that uncommon to not get attached to an album the first time you here it. Actually, it's probably really common. Sometimes you have to wait for the music to come to you (that sounds cheesy, but just go with me). I think everyone can understand the feeling of hearing an old song and loving the feeling of knowing that you remembered every single word. The rediscovery of an album or artist is almost as great (or maybe even greater) than the first time you pressed play. I can't wait for the deluxe version of Legendary to feature in my amazing roadtrip playlist, it'll fit perfectly.

~

I hate to say it, but I might not blog so much in the next few weeks. In less than 48 hours, I will be picking up my best friend from the airport. The day after Christmas, we roadtrip to California and I know it will be the most amazing vacation ever. Disneyland, Hollywood, Venice, Huntington, San Diego. I can't even explain how much I'm looking forward to this. I'll try to blog, but no promises.

(Side note: I'm still trying to get in the hang of blogging. I like the style I'm using right now, though. Bringing up an album, pulling out some songs and trying my best to explain them. I just hate making something more than it is - it makes me feel like I'm in my AP Lit class - so I'm trying hard not to do that. I know this is far from what you would find in something published, but I don't plan on any of this getting published. Either way, I love that I'm actually putting words to how I feel about some of the music I'm listening to.)

Until next time,

-Nikole xx

The Dream Walker - Angels & Airwaves

It's been three years since we last heard new music from Angels & Airwaves and they have officially broken their silence. AvA released their fourth studio album, "The Dream Walker," today. AvA is most well-known because of frontman Tom DeLonge, who is guitarist/vocalist of Blink 182. The album is only one-fifth of a multimedia project that includes a short film, novel, comic books, and a graphic novel that follows the journeys of a Dream Walker named Poet Anderson. The short film recently won the Best Animated Short Film Award at the Toronto International Short Film Festival and the album is currently #1 in seven countries.

AvA have always been a band driven by spacey synth sounds and DeLonge's recognizable drawl and this album isn't much different. The album opens with a piano and synth introduction in "Teenagers & Rituals." The blur of time and dates, that a drink or 2, or 3 relieve. I'm not sure if I can get into analyzing the lyrics because DeLonge can be a complicated guy. The first time I heard this song (just under 12 hours ago) I was happy and relieved. I didn't want AvA to dive deep into the use of synths that drown out the vocals and guitars (like the singles, "Paralyzed" and "The Wolfpack") and I wasn't disappointed.

"Paralyzed" and "The Wolfpack" were the two singles of the album and, to be honest, they didn't set my expectations very high. I just wasn't a fan of the sound. The lyrics were thoughtful and deep like many AvA songs, but I couldn't hear them because the synths were too overpowering. If I had to pick, I would say "Paralyzed" is my favorite of the two because it has a catchy chorus and beat. The only music video so far is for "The Wolfpack" and it had nothing to do with how I interpreted the song. Full of animal masks and confused looking people, it was just overall hard to follow. The intro definitely emphasizes the spacey feeling. After looking up the lyrics, I gained a greater respect for each song because DeLonge is truly a lyrical genius. I'm not saying that I don't like these songs since you can still find me singing along to every word, they just weren't my favorite.

DeLonge wrote a lengthy interpretation of "Tunnels" on Facebook that greatly helped how I was able to listen and understand the song. He wrote the verses years ago, which explains why the sound resembles something a little older than the rest of the album. DeLonge stated on his Facebook that he wrote the verses based on a paranormal experience where he woke up and felt his late father's presence. Then two years later, he wrote the chorus about how "something beautiful and epic is on the other side." I'd thank God, but then what is he for? Because I left a few calls at his front door, I'll leave more. I love the high guitar motif in the background - it especially stands out when DeLonge takes a breath and transitions into the next verse/chorus. The last few verses that end with "when you die" is kind of chilling, but like DeLonge said, "there is something beautiful and epic" waiting. Bringing in some religious ideas and even mentioning God is a rare moment in the songs DeLonge writes which is how they seem to pack a bigger meaning.

After a one minute intro of synths, DeLonge breaks out into a fast-paced song, "Mercenaries." The vocals are strained differently which makes the song stand out to me. I feel kind of hypocritical because in a way this song resembles the two singles, yet I really I love this song. When you feel alone, here's a little hand, and a thought 'cause you were on my mind. I've watched countless videos of DeLonge perform (from Blink 182 to AvA to Box Car Racer) and I can tell - if AvA decides to tour - that this will be an amazing song live. I have a picture of what it would look like and I hope it becomes reality one day (even though I'm against the idea of DeLonge performing without a guitar like he usually does with AvA - it just doesn't look natural). Another song that shows a different strain of the vocals and a different energy is "Bullets in the Wind" which I also believe will be a great song to see performed live.

I might have saved the best for last. I don't want to say it's my favorite, because all of the songs are great for their own reasons, but this song I did put on repeat for a few times during the day. "Anomaly" is a very rare kind of AvA song and I'm grateful. The only song I can relate to this is the acoustic version of "The Gift" that is at the end of their first album, "I-Empire." The intro also reminds me of the start of Blink 182's "Boxing Day" - it's a very slowed down, quieter version of the same guitar riffs. I never wanted to say how much I liked you, I never wanted to be one of your sad discoveries. Maybe one of the reasons I love this song is because the lyrics seem relatable. It's a love song, nothing more, nothing less. I never wanted to coast, always wanted to be an anomaly. It's such an unexpected sound from this band. There's no synth whatsoever. It's a perfect ending to the album that parallels the ending of 2007's "I-Empire." My girl, I think I'm in love, it's the scariest place to be alive.

I did leave a few songs out, but I wanted to talk about the few that have stood out to me in the 12 hours that this album has been out. I know I'll probably interpret these songs a bit differently after I see the other adaptions of Poet Anderson's story, but I wanted to get my thoughts about just the album down first. This album only confirmed that DeLonge's voice is possible my favorite voice I have ever heard (which is saying something). There's nothing like it. As much as I love AvA and their current success, I hope DeLonge gets back in the studio with Blink 182 again soon.


xx Nikole

Happy Birthday to The Maine's "Pioneer"

Happy 3rd birthday to a very special album by a very special band: The Maine's Pioneer. I've blogged about The Maine a couple of times before, but I haven't fully dedicated a post to them and it's about time I did. The Maine are a local band based in Tempe who have been active since 2007 but have gained more recognition as they toured during Warped Tour. Bassist Garrett Nickelsen and drummer Pat Kirch started the band while they were in high school and later guitarists Kennedy Brock and Jared Monaco along with vocalist John O'Callaghan would join the team. Their first full-length album, Can't Stop, Won't Stop, was released in December of 2007 and was characterized by pop-y guitar riffs and vocals. Their lyrics got a more serious in 2010 with their second album, Black & White. The band is currently in the studio putting together their fifth album.

Three years ago today, The Maine took a giant step in their career and released their third album, Pioneer. This marked a huge change in the direction this band way going. Ditching the pop sounds that were featured in their first album and played a small role in the second, Pioneer showed the seriousness of this band. The Maine transitioned into their alternative rock/indie tone that carries into Forever Halloween (2013). Reaching number 90 in the Billboard 200 and selling 12,000 copies in the first week, the album was no failure. Good Love (Pioneer the B sides) was later released that included 7 more songs. 8123 (an artist collective that includes The Maine) recognized the album's anniversary on instagram and commented that "this album proves that if you want to do something you can make it happen with a little hard work."

I'm not going to go into detail about each song, but I do want to talk about some of them that really stand out to me (from the first released version of the album). So this is just my rough idea of what each song is intended to mean or why it stands out. I'll try to keep them somewhat short, but it's kind of hard for me to stop writing once I've started.

Some things are out of my hands

I'm what time and consequence have made me

Sit back and watch the world explode

3, 2, 1 here come the fireworks, baby

(Identify)

"Identify" introduces the album with a subtle guitar riff and John's vocals softly singing the first verse. Then after "here come the fireworks, baby," the drums enter and the guitar gets louder. That's the pattern for the rest of the song. Gentle verses, then screaming the chorus. It's a song that stands out and describes the band at the time. They're building their identity. It's not worth "standing in line," it's time to "identify." I also need to point out the lyric "I bought the last plane ticket to the end of the world" because it emphasizes that the time to identify is now.

I'm feeling pretty dirty, baby

Forgive my sins.

I got the feeling you can save me honey,

My heroine.

(My Heroine)

This song has a very recognizable opening and the first verse (above) draws you into the song. It's pretty self-explanatory. This girl is his heroine - his drug - something he is addicted to and could never get enough of. I like the double meaning of heroine. While in the song, it is mostly intended to be the drug, but heroine is also defined as a "woman admired for her noble qualities." Both definitions make this heroine an irresistible person.

Some days, they taste like lemonade

Some days can feel like razor blades

I wish I could float away, some days

(Some Days)

A little more cheery sound than the first three songs on the album, however it is serious just like the rest. The chorus (above) is powerful and is definitely packed with a lot of emotion. It says what is true for everyone - some days we feel on top of the world, some days can feel agonizingly painful. Then there are days where you wish you could float away, leave it all behind. The line "I hate to say I told you so" makes me think that he has been trying to make a point and it's finally coming across. 

I am selfless, I am selfish,

I'm anything that I want to be.

This is violent, this is honest, 

It's the anthem for a dying breed.

(Don't You Give Up On "Us")

There's a list of ideas of what this could mean in my head and I think every one has a bit of truth in it. Since there are quotations around "us," it makes me think that this song is meant to have multiple meanings. First, I thought of "us" as in a relationship. He doesn't want to break up and this is his plea for her to stick around. I don't really think that is it, although there are some lines that back that idea up. I also thought it could mean "us" as in the band. The song starts with "I am anything you want me to be" then it transitions into "anything I want to be." The band started off as any other pop band, which is probably what many people wanted. It would definitely be something the radio would play. However, the band realized that they will be what they want to be, even if they won't get the same attention. The dying breed could be the genre of music which is definitely different from the "mainstream" music found on the popular radio stations these days.

Looking for misery, but she found me

Lying naked on the floor

(Stay away, sweet misery)

I was headed insane, the devil told me his name

But he's not welcome here, anymore

(Misery)

Possibly my favorite song on the album for many, many reasons. The first time the lyrics really sunk in for me was when I watched the music video. It left me speechless. There's so much emotion that goes into this song, probably more than any other song on this album. Misery is a very intense emotion - it's something deeper than just being sad. Misery is personified in the song and is able to view the speaker at his lowest. I have a lot of questions about the some of the meanings in this song so it's hard for me to go into detail. For instance, why was he looking for misery? And then once "she" finds him, he tells her to stay away? I have some ideas but too difficult and wordy to type it all out now. I love how with every succeeding chorus, John sings louder until the point where he is desperately calling out to Misery.

Turn it up, it's my song

I can't sing, but I'll sing along

I can feel it in my bones

A little rock, a little roll

(While Listening to Rock & Roll)

Finally a more cheery song. Well, I don't think I would call it cheery, but I love message of the song which is crystal clear - don't stop listening to rock 'n' roll. The guitar reflects the old feeling of real rock n roll (although I don't think you can define "real" rock n roll - it's something you feel in your bones like the song says). It's a song that can be related to as well. I love those songs that you can feel. The lyrics and vocals, the drums, the guitar, the bass, the piano/keyboards - everything fits together and rolls along. I can definitely relate to the line "I can't sing but I'll sing along." I know I can't sing, but that will never stop me from singing along.

Oh my gorgeous Arizona

Here's to gettin' caught with you

I was runnin' with the wolves

I was howlin' at the moon

(Waiting for My Sun to Shine)

I'm not going to go really into this song because, well, there's a lot to say about about a 15 minute song. Right now as I'm writing this I'm enjoying the incredible guitar solo that really picks up at 2:38. I like that this song is at the end of the album. It feels like the final toast. All I know is I'm still waiting for my sun to shine. There's a lull that is broken at about the 8 minute mark. It's soft. It kind of feels like a giant sigh. 

Happy birthday, Pioneer.

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I feel like I haven't updated my blog in a long time. Acdec competitions were all last week and I find out if I make the team on Monday. Then I have to deal with the ACT and finals coming up in the next two weeks. I promise I'll write as often as I can. I really enjoyed writing this post so I'll probably something like this again. :)

Until next time,

Nikole xx

The 1975

Last weekend I had the amazing opportunity to see a very popular British boy band - no not that boy band. The 1975 made a stop in Phoenix for their 2014 North American Tour on November 22 and since my friend had an extra ticket, I was actually able to see them. The band from Manchester is probably most well-known for their song "Chocolate." They had two opening acts who had the same mellow vibe as The 1975 - Young Rising Sons and Cruisr.

Young Rising Sons + Cruisr

The first act of the night, Young Rising Sons, came on stage at 8 p.m. YRS is a band from New Jersey composed of Andy Tongren, Dylan Scott, Julian Dimagiba, and Steve Patrick. They were my favorite of the two opening acts. They were able to get the crowd - who was unusually less pumped than I expected them to be - to get up and almost get loud. The most memorable part of their set was when they covered Modern English's "I Melt With You" (I always associate this song with Sky High...).

In case you didn't know the band's name, it was spelled out on a giant banner behind the group and they made sure to mention that a few times while they were playing. Cruisr is an indie band from Philadelphia made up of Andy States, Jonathan Van Dine, Kyle Cook, and Bruno Catrambone. I felt bad during their set because the crowd was not animated at all. I just don't understand that. How do you not get excited when you're at a concert?? Despite the lack of emotion from the crowd, they still put on a great show. Very indie and very subdued kind of sound. Both of these acts were a good choice for the tour.

The 1975

The 1975 truly have a one-of-a-kind sound. I can't compare them to anything I have heard before. The British band comes from Manchester and includes Matty Healy (vocals, guitar), Adam Hann (guitar), George Daniel (drums, backing vocals), and Ross MacDonald (bass). Matty introduced the newest member of the band, John Waugh, a saxophonist.

Before they came on, it took the crew about 30-40 minutes to set up the stage and most of that time was spent pumping the arena with smoke. It was really annoying at first, but the effect it had was absolutely astonishing. You couldn't see the smoke until the lights hit the air at the right angle and somehow they were able to make the effect that there were clouds right about your head. You can raise your hand up through the smoke and it was one of the coolest feelings. From pictures, I could tell that part of a The 1975 show was the smoke, but pictures never caught the full effect. Just this detail was probably one of my favorite parts of the performance.

Opening with "The City," The 1975 make their way on stage. I'm not sure how to describe Matty, but he is what I picture a typical British indie rock star to look like. Loose white unbuttoned shirt, longish hair that falls in his face, tattoos that cover his torso, piercing eyes, the IDGAF expression on his face. He performs almost lazily, like he's in a dream. Their songs make you feel dreamy too and that's one of the things I love about their music.

Matty asked everyone to put their phones away during a song so they can live in the moment. "This is the first time I am ever seeing you and I want to see you, not your phone." Of course, I put my phone away and enjoyed every second of the moment. Later, once the song was done and people pulled their songs back out, Matty actually reached over the barrier to take someone's phone. He took pictures of himself and the crowd plus a few funny selfies and gave it back. What a lucky fan.

My favorite song of the night (also one of my favorite songs by the band) was "fallingforyou." Matty drank from a bottle of wine he was carrying around stage and softly sung the words to the crowd. When he actually talked, it was hard to understand a word because I couldn't tell if he was slurring or if his accent was just really thick (or maybe a combination of the two). It was one of the songs where the lights were positioned just right to create the cloud allusion. Another thing I found different about Matty's performance other than the drinking on stage was the smoking on stage. Both him and George Daniel had a few cigarettes that night and I can't say I have ever seen an artist do that. It kind of just fit with the atmosphere and their characters.

Apparently this was one of the largest crowds the band has played to on the tour and they made sure to make it extra special for the audience. Matty with cigarette in hand sat down at his piano and played "Is There Somebody Who Can Watch You" for the first time on tour. While the person behind me complained that they were falling asleep, I couldn't be more awake. Matty sniffled and you got the idea that he was crying a little bit and the entire crowd let out a simultaneous "awww." I'm happy that the band made the night extra special because hopefully they'll remember it just like I will.

The last four songs they played - "Girls," "Robbers," "Chocolate," "Sex" - were some of their most popular and it was a great way to end a great night. The lights got brighter and pulsed faster as they approached their finale. The crowd was more than awake now and everyone singing along was a beautiful sound. I know The 1975 will be busy in the studio after they finish this tour, but I hope they come back soon.


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Even though November has been one of the more stressful months of the year, it definitely had some of the most memorable moments. I turned 18. I got to see four concerts which in total included 14 incredible acts. I have met new friends. I have my best friend coming to live with me over winter break which is just a little over three weeks away. I'm more excited than I have ever been about my future career (even though from my gov project I have learned that it will be a very competitive field and I won't be making a huge amount of money, but I know it will be rewarding nonetheless). I know I'll be making even more incredible memories in December once Kaitz arrives. :)

Thanks for reading!

xx Nikole

**The pictures aren't uploading so I'll try to update this post with pictures tomorrow